Originally conceived around 2007 named from the title track Nibiru. It is based around the idea that we live in a binary solar system with two suns, our sun and a brown dwarf. At the end of every era, as portrayed many ancient cultures and religions, a cataclysm befalls the planet, it is cleaned of everything and the cycle of life starts once again.
The world is awash with what could be called conspiracy theories about ‘the end times’ as seemingly more disasters, social upheaval and rapid changes seem to take place on our planet with increasing intensity every day. If we have found with technology such an object and it was heading straight for us, could we ever stop it? Many people now live in fear that something big is around the corner. Is it Nibiru the rogue brown dwarf star?
The music is experimental indie, glitch-core and space rock. At over 30 minutes long, just the first song on the album gains in speed and intensity throughout, theatrical lyrical exerts are taken from ‘The Emerald Tablets Of Thoth’ known to the alchemists, hidden knowledge and wisdom long regarded by scholars such as Aristotle, Isacc Newton and Alexander The Great. Experimental analogue synths wash over guitars through many movements and passages creating a titanic marathon production of ‘Space Rock’ doomsday creation.
The other six tracks on the album, mix styles like Retro Pop and New Wave Punk. A video single Banyan Tree (Indie Rock), one film soundtrack Killing Disko (Post Punk) following more science fiction or maybe actual science facts that have come from alternative to mainstream about the grandest foreseen grizzly end.
The musical story of a molten metal cataclysm of doom that is hurtling our way. "Space Opus" - CKCUFM
Voices - India Fleet
Soundtrack for Dissonance (Short Film)
Rockin The Blues From Canada CKCUFM
LA Talk Radio
Midnight Special Blues
Vandala Concepts Magazine